And this is why photographers need to learn video right now.

 
Last week I attended the Silver & Ink event at the Savannah College of Art and Design. I was invited to see the graduate students’ work, teach a video class, speak at a “business of photography” panel discussion, review undergraduate and graduate portfolios, discuss technology trends with faculty, exchange my views about the future of photography with career advisors, and attend a stunning art opening. Among the many questions I received, there were two particular questions that were asked many times over—and I could sense a mix of fear and excitement in those who asked these questions.

Question #1: As a photographer, why should I learn video?

The answer is really simple: access to more future opportunities. According to careerinfonet.org there is a better than average annual growth in job openings for photographers, yet video editors, as well as audio and video technicians make significantly more money—either through an hourly wage (freelance) or yearly salary (part- and full-time employment).

I compared national averages with New York state averages, and the results are pretty clear.

In New York, video editors can make from $35,000 to $102,000 per year. Photographers make from $18,000 up to $81,000. As you can see, salaries for audio and video equipment technicians fall right in between the salaries of photographers and video editors

I personally know very few photographers at the high-end of the spectrum, but I know of several video editors who make a lot more than $100K.

What about employment growth?

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NAB 2012 wrap-up.

 
• Blackmagic announced a hard-to-believe camera featuring a 2.5K image sensor, 13 stops of dynamic range, built-in SSD recorder, popular open standard uncompressed RAW and compressed file formats, compatibility with quality EF and ZF mount lenses, and LCD touchscreen monitoring.

• Adobe Premiere Pro CS6 is out with and enhanced 64-bit playback engine that can handle 5K resolutions, and higher, new trimming options, compatibility with Mac touchpad gestures, a Warp Stabilizer that was previously confined to After Effects, and expanded multicam editing for more than four cameras. Taking a page from its sister app, “the audio oriented Audition, Premiere Pro CS6 offers a redesigned and more functional audio mixer. Adobe also introduced SpeedGrade, a film finishing and color grading app, and Prelude, for ingesting, logging, and transcoding.

• Autodesk announced Smoke 2013 for the Mac, a new version of what the company is now calling video editing software and at users of Apple’s Final Cut Pro or Avid Media Composer who want high-end editing and finishing tools in one app. The new price is “only” $3495, down from $14,995 for the 2012 version.

• Panasonic announced a bittersweet firmware update for the AG-AF100 that provides 1080 50p and 60p modes. That’s the sweet part. The bitter? They want users to pay $300 for the upgrade.

• Canon announced the 1D C ($15,000), which has the same chassis and still shooting features of the EOS-1D X ($6,800), and captures 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, the C swaps a headphone jack for the X’s PC sync.

• The higher-end Canon EOS C500 ($30,000) offers the same ISO range as the C300 (320-20,000) and requires a dedicated external recorder, but captures in two full-RAW flavors: 4096 x 2960 (for motion picture), and 3840 x 2160 (for 4K TV). Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There are two additional RAW option, 4096 x 1080 or 3840 x 1080 resolutions, which are also 10-bit 4:4:4, but at 120 fps. The camera also offers

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The Business of Photography. Upcoming SCAD’s Silver & Ink events.

 
The Savannah School of Art and Design (SCAD) recently held a Photo Exhibition open to all undergraduate and graduate photography majors or minors who are/were enrolled as full-time or part-time students during the 2011-12 academic year at any SCAD location (Savannah, Atlanta, Hong Kong or eLearning). Each student submitted up to three entries from all different genres: fine art, commercial, product, editorial, documentary, alternative processes, new media/experimental, and 2D/3D mixed media. Over 750 entries were received!

Later this month, we have been invited to join the reviewer’s panel at the opening reception, and be part of the photographic review taking place April 26th through the 28th. Lauren Wendle, VP and Publisher of PDN Photo District News will also be there to share her always relevant views on the photo industry. Other speakers include Chicago artist photographer Terry Evans, Michael Itkoff, founding editor of Daylight Magazine, and  Finnish-American photographer Arno Rafael Minkkinen.

On Friday April 27th, we will be talking about “The Business of Photography” covering topics like marketing and self-promotion, building a client base, and working on assignment. The panelists featured in PDN’s 30th issue, will share how they got to where they are today, what they learned in school, what they wish they had been taught, and will provide advice for students who are heading into the professional photographic industry.

I am always excited to see such a variety of new student work.  We see so many different trends in photography whether in commercial advertisements, editorial magazines, fine art, or documentary work.  Students are aware of those trends, but they are still experimenting and finding out who they truly are as photographers. Their body of work shows a progression and gives us a brief view of where contemporary photographic imagery is heading.  This panel discussion will help the students answer questions about their future career as artists and professional photographers. Creativity and technical skills are always required, but business skills are paramount in order to be successful in our  extremely competitive industry.

More information is provided on Scad’s Photo Blog.

Catching up with the coolest tech news. Summary.

 

I’ve been on the road for the past 2 weeks, with very limited internet access. Today, I finally had some time to catch up with the latest technology news (1683 articles and 268 emails). These are, in my opinion, the most interesting and relevant announcements:

• Filmmaker Jeff Desom took Alfred Hitchcock’s famous 1954 film “Rear Window” and turned it into a single panoramic time-lapse video.

Two years ago I set up my camera to take a picture every 15 seconds for 36 hour and edited 698 still images into a 29-second video.

• Recently I was interviewed by PDN about the “13 Products you need to add HD Video to your business.” Do you agree or disagree? Did we miss something? We would love to hear your comments below. The article is also available on PDN’s May print issue.

• Blurb posted a cool article about how we use the Book Module on Adobe Lightroom 4. If you are interested in exploring this option don’t miss one of our upcoming seminars. Here’s the sample book (about wine!) we created.

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Are you eligible for a complimentary (free) Lightroom 4 upgrade?

 
Adobe doesn’t notify customers who purchased single-user licenses about complimentary post-announce upgrades, BUT according to a somewhat obscure company policy, users who bought software (full or upgrade) soon after a new version was announced, might be eligible for a complimentary upgrade. If you followed my instructions on a previous post to purchase Lightroom 4 50% off, you might be one of the lucky ones.You need to contact Adobe directly to find out if you fall in the eligibility period. Let me know how it goes.

If you already purchased the upgrade and have questions about the installation, follow these simple steps here and here.

Adobe Lightroom 4 is shipping. Price cut in half.

 
The full version of Lightroom 4 is available now and Adobe cut the price in half: The full version (which used to cost $299) will now be $149. The upgrade version will only cost $79. The beta version (which was downloaded more than 250,000 times) will expire on March 31, 2012.

For an in-depth review of Lightroom’s newest features check our previous post. Also, if you live near New York or plan to visit during the Summer, check one of our upcoming events “What’s New in Adobe Lightroom 4,” and a 2-day hands-on Workshop “Creating Custom Photo Books with Adobe Lightroom 4.”

Canon EOS 5D Mk III, 5D3, 5D Mark III has arrived.

 
Ok. Let’s start from the beginning: We are looking at a 22.3 Megapixels, Full Frame (36 x 24mm) CMOS sensor system, powered by a DIGIC 5+ processor. Check this article if you want to fully understand the differences between the DIGIC 4 processor on the 5D Mark II, and the new DIGIC 5+ on the 5D Mark III.

Some of the highlighted features include:
• Dual card slots (1 SD/SDHC/SDXC and 1 CF). Sorry, no XQD on this one. What is awesome about the dual cards is that you can a) record the same data to both cards, or b) record different file sizes or types to each card, or c) automatically switch to the second card when the first card is full. That’s great when shooting long interviews, or concerts, for example.
• HDR with +/- 3 stops
• Improvement in noise reduction by 2 stops
• Multiple exposure mode
• 63 zone dual metering system
• +/- 5 stops (the 5D Mark II has only 3 stops)
• iFCL metering system with a 63-zone dual-layer sensor
• File Formats: AVI, RAW, JPEG, H.264, MOV, MPEG-4
• Full HD video recording: 1080/30p, 24p, 25p; 720/60p, 50p; 480/60p, 50p

All the typical features are here: Minimum Shutter Speed (30 sec), Maximum Shutter Speed (1/8000 sec), 100% coverage viewfinder, etc, etc, etc. As expected, durability on the Magnesium Alloy chassis has been improved including a 150,000-cycles shutter, and water and dust additional resistance.
 
These are the specs that REALLY got my attention:
• It is now possible to check two images side-by-side for sharpness, exposure, etc at different aspect ratios (1:1, 4:3, 16:9) with the new “Comparative Playback” function.
• There’s a Q button that will process RAW to JPG on camera.
• The new camera shares the same exact 61-point High Density Reticular AF system found in the EOS 1D-X (for half the price).
• There’s an iPod-like button to make changes in the movie mode without adding noise to the clips. Smart!

• The 5D Mark III uses the same batteries (LP-E6) as the 7D and 60D.
• The ISO war keeps getting better. The Mark III offers ISO 100-25600 (expandable up to ISO 102,400) for stills, and 100-12800 (up to ISO 25,600) for video. Wow! Now we really could use an iPad as a Key Light!
 
Here’s an interesting set of high-res JPEGs samples shot at ISO 50 to 102,800. The test was performed under low level halogen lights, which are perhaps the most challenging to digital sensors and noise reduction systems.

Video Features.
There are several serious improvements on this front:
•There are a couple of new video Modes: “Silent and Low Vibration,” but I don’t recall seeing them on the prototype I tested.
• The video resolution is Full HD (1920×1080), and the video format is the same H.264, which I personally love because it runs natively on Adobe Premiere Pro and Lightroom 4, and plays extremely well with online sharing platforms like Vimeo and YouTube.
• The recording buffer has been extended from 12 minutes to 29 minutes and 59 seconds. The 4GB limit is finally over.
• Following Nikon’s D800 improvement, we now have a 3.5mm head­phone jack for live audio mon­i­tor­ing and a Wind Filter. Other ports include USB 2, HDMI, Mic Input, and Wireless.

• The LCD screen is virtually the same 3.2″ 1.04 million as the Nikon’s D800. With a screen this size photographers are out of excuses for not using Histograms the way they should.
• There’s a built-in info menu while shooting video, which comes super handy to quickly check important settings like White Balance, Resolution, ISO, Picture Style, etc.

Regarding audio, the changes are pretty exciting:

“The camera includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.”

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How to remove your Google search history (before it’s posted on YouTube).

 
For a long time I have been a huge advocate of Google products. Every single day I use Google Calendar, Gmail, Documents, Voice, Finance, Contacts, Currents, Music, among many other apps. I actually believe Google is one of the most innovative companies in the world and provides the best cloud computing experience. That was until about 30 minutes ago…

I just found out that as part of the Company’s new privacy policy unification, all the searches I’ve made, and all the sites I’ve visited will be combined with several other Google products like Google Plus and YouTube.

” When you sign up for a Google Account, we ask you for personal information. We may combine the information you submit under your account with information from other Google services or third parties in order to provide you with a better experience and to improve the quality of our services. For certain services, we may give you the opportunity to opt out of combining such information.”

And this part is key: “March 1, 2012 is when the new Privacy Policy and Google Terms of Service will come into effect. If you choose to keep using Google once the change occurs, you will be doing so under the new Privacy Policy and Terms of Service.”

How to avoid this? Thankfully you just need to follow FOUR simple steps to erase and turn off your search history.

Step 1: Go to https://google.com/history

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50% off on Adobe Lightroom 4, today only.

 

Here’s the deal: the full version of Adobe Lightroom is normally $299. The upgrade price is generally $99. Today only, B&H is offering Lightroom 3 for $69. If you are running an older version, or need additional licenses, you can buy version 3 today, and upgrade to version 4 when it becomes available in early April. You will effectively get the new version for almost half price.

To really understand why this  is such an amazing deal, check all the new features on Adobe Lightroom 4. Don’t wait. The deal expires tonight, Feb 15, at 11:59PM EST.

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Nikon D800 officially announced.

 
After countless “accidental leaks,” Nikon announced two new cameras: the D800 and D800E. The D800E is identical to the D800, except that it skips the anti-aliasing filter, which technically will offer sharper photos, but might also introduce color moire and chroma noise. According to Nikon, the “D800E is ideal for photographers who can control light, distance and the subject to mitigate the increased risk of moiré and false color.”

UPDATED: Adorama is allowing preorders on Nikon D800 ($3000 ships next month) and D800E ($3300 ships in April). First orders in, first boxes out. Hurry up!

Video Features

The D800 video features are almost identical to the D4, for half the price.
• 1080p/29.97fps and 720p/59.94fps
• Two memory card slots: Compact Flash (UDMA Mode 7) and SD/SDHC/SDXC (UHS-1)
• USB 3.0
• Mini-HDMI, 3.5mm headphone jack for live audio monitoring, 3.5mm powered stereo microphone jack, PC sync and 10-pin remote socket

Interestingly, both the rear LCD and an HDMI-connected external monitor can display simultaneously.

Interesting Features

• 35.9 x 24mm (FX Format) self-cleaning CMOS sensor
• 36.3-megapixels
• ISO range of 100-6400 (expandable to 25,600)
• 51-point AF system, 20% more sensitive than the D700

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Judging a Photo Contest.

 
For the last 10 years, the Engineering News-Record (ENR), a sister publication of the Architectural Record, has been hosting a very well attended “construction” photography contest. Each year they invite a  fresh set of five judges consisting typically of art directors and senior editors from ENR or its sister publications, one construction safety expert, and one outside photographer. Guess who was the outside photographer this year? Oui, moi.

About a month ago I had the honor to review more than 1,200 submissions with Cathleen McGuigan, editor-in-chief of Architectural Record and editorial director of two other McGraw-Hill publications, Gary DiPaolo, our construction safety expert, and two ENR employees, Aileen Cho, senior editor for transportation, and Justin Reynolds, associate art director.

As Tom Sawyer, the photo contest’s director writes on his article “Judging the ENR Photo Contest – Hows and Whys (PDF)”, I was truly surprised to see the overall quality of the images. This year’s online gallery is available here.

Adobe reconsiders upgrade policy expiration.

 
Adobe’s worldwide upgrade policy was set to change after December 31, 2011. Well, now they are announcing a new “special upgrade offer” for CS3 and CS4 customers.

“We want to make sure our customers have plenty of time to determine which offering is best for them. Therefore, we’re pleased to announce that we will offer special introductory upgrade pricing on Creative Suite 6 to customers who own CS3 or CS4. This offer will be available from the time CS6 is released until December 31, 2012. More details on this offer, as well as any introductory offers for existing customers to move to Creative Cloud membership, will be announced when CS6 and Creative Cloud are released later this year.”

I am wondering if this is a response to unhappy customers, or a clever marketing move. What’s your take?

The complete press release is here.

Adobe Lightroom 4 HDSLR video support explained.

 
UPDATE March 6, 2012. The full version of Lightroom 4 is available now and Adobe cut the price in half: The full version (which used to cost $299) will now be $149. The upgrade version will only cost $79. The beta version (which was downloaded more than 250,000 times) will expire on March 31, 2012.

My birthday was yesterday, and the present arrived this morning. Lightroom 4.0 (public beta) FULL VERSION is now available as a free download from Adobe’s website.

Important things to consider:

• You do not need a serial number and the beta version will not update your current Lightroom 3 (or earlier) catalog.
• The public beta comes in three flavors: Mac (OS X v10.6.8 Snow Leopard) or v10.7 Lion), Windows 32-bit, and Windows 64-bit. Make sure you download the correct version. Each compressed download is about 400MB.
• File support for Lightroom 4 beta, is exactly the same as in Lightroom 3.6 and Camera Raw 6.6.
• The public beta will expire on March 31, 2012, when the final Version 4 becomes available.

Here are the new features, organized from super awesome to awesome:

• HDSLR video support (full details below)
• Soft proofing (found under the Develop Module, not the Print Module as one would expect)
• Photo book layout
• Email directly from Lightroom (works with Gmail, Yahoo, Hotmail, and AOL)
• Publish videos directly to Facebook or Flickr
• Geo location (via GPS metadata) with the Map Module
• Enhanced DNG workflows
• Adobe Revel (Carousel) export workflow
• Additional local adjustments including Noise Reduction and White Balance
• Powerful new Shadow and Highlight controls
• Simplified basic adjustments

 

Video

Regarding Video Support this is what Adobe has to say:

“Lightroom 3 added the ability to import, manage and tag video files but as the popularity of video capture increases it’s important to provide a single, robust workflow solution that can support all of your imaging needs regardless if they’re still images or video captures. Lightroom 4 adds native playback for a wide variety of formats from mobile phones to high end DSLRs.”

Here’s what I have to say: In version 3, we were able to import video files along with our still images, but to see the clips Lightroom needed to access Quicktime. Now we can play the files inside of LR. Also, by using similar shortcuts from well established NLE (non linear editing) software applications like Final Cut Pro and Adobe Premiere Pro, now we can set In and Out points directly in Lightroom. Shift+I (In) and Shift+O (Out).

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5 free mobile Vimeo Apps to edit HD Video.

 
I recently got a Tablet to more efficiently maintain this blog by using the very good WordPress app, among other apps for photography and digital cinema.

Today my life got a free upgrade with Vimeo’s new apps for iPad, Android, Kindle Fire and Windows Phone. I have been waiting for almost a year since the iPhone app was released, but it was worth the wait. Now I’ll be able to upload, manage and watch my videos right from my phone (highly unlikely since the battery sucks), and Tablet.

The Android app requires Android version 2.3 (Gingerbread) or later. Some of the features include:

• Upload raw or edited footage in HD or SD
• Pause/Resume videos and uploads
• Replace existing videos
• Edit tags, titles, credits, descriptions and privacy info
• Share on Facebook, Tumblr, Twitter, WordPress, email or SMS
• Add your clips to Groups, Channels and Albums
• Download your Vimeo videos to your Camera roll
• Watch videos from the Vimeo Inbox and Watch Later queue
• Stats on daily plays, likes and comments

According to Vimeo, 15% of its traffic now comes from mobile devices. 18% of this blog’s visits are from mobile devices and 30% of those devices are iPhones.

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Meet the XQD Memory Card. Works with Nikon D4. Lexar joins the Party.

 
A few days ago The Compact Flash Association announced a new format to replace CF cards for professional photographers, and HDLSR filmmakers. The new format is called XQD, and has a physical size that falls between CF and SD cards (it is thicker than SD cards, but smaller than CF cards). The interface used is PCI Express, with real world write speeds around 125MB/s, eventually being able to exceed 2 terabytes of capacity. All that was pretty interesting, but I assumed that given the current prices of memory cards, pushing a new format would be a pretty hard sell (literally).

UPDATE 0724: Lexar Announces Plans to Join the XQD Memory Card Party In Q3 of 2012.

Well, I stand corrected. Twice. As you already know, Nikon just announced the D4 camera, which happens to be the very first camera incorporating the XQD technology. And Sony, on a surprising move, has also announced not only one but TWO flavors of the new memory card. A 16GB card for $129, and a 32GB card for $229. The new cards borrow the PCIExpress (PCIe) high-speed serial communications link interface from computers, offer 125MB/s transfer speeds, and can store up to 100 RAW images in continuous shooting mode.

Additionally, Sony will have a new USB 3.0 card reader, and an ExpressCard/34 adapter, and will start shipping the goods next month at the same time Nikon delivers the D4. Just on time for the London 2012 Olympic Games.

Check Sony’s commercial for the XQD. It looks like an awesome video game. Now, would you pay $129 for a 16GB card?

Some (bad) news about Hard Drives.

 
The Hard Drive world has seen a lot of action lately.

When inventory levels plummeted 90 percent in less than a week after the Thailand flood in October, the top-selling hard drives on Newegg.com and Tigerdirect.com went up anywhere from 50 up to an absurd 150 percent. Over the past few weeks, Hard Drive prices are finally starting to drop, and the trend should continue throughout the year until supply meets demand sometime around Q3 2012. AppleInsider did a fascinating analysis on this topic by extrapolating MacBook Pro pricing.

On related news, Apple is apparently in the process of acquiring Anobit, which makes chips that greatly increase the performance of flash memory on devices like the iPhone 4S.

Seagate Technology completed the acquisition of the hard disk drive business of Samsung Electronics for $1.4 billion in stock and cash. The deal was approved in Australia, China, and the E.U.

In 2010, HDD shipments from both Seagate and Samsung represented 40 percent of the HDD market. Western Digital and Hitachi Global Storage Technologies still held the number one position with a 50 percent share. Western Digital intends to buy Hitachi Global Storage Technologies for $4.3 billion in cash and stock and the acquisition is expected to be finalized by March.

The mergers are not good for photographers, filmmakers, and any creative relying on desktop hard drives. With Western Digital’s acquisition of Hitachi, and Seagate’s acquisition of Samsung’s segment, the two companies will control approximately 90% of the market.

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The best 25 pictures of the year.

 
This is the time of the year for the very bests, top 25, top 100, etc. I don’t usually follow those lists, but I’d like to share some of the images that this year really made me stop and marvel at the world, sometimes in joy, most often in horror. Here they are:

A monstrous dust storm (Haboob) roared through Phoenix, Arizona in July. Source: DanBryant.com

Firefighters of Ladder Company 4 — which lost seven men on 9/11 — perched together on their aerial ladder, watching a news bulletin in Times Square declaring that Osama bin Laden was dead on May 2. Source: lens.blogs.nytimes.com

Facebook played an extremely important role in the uprisings throughout the Middle East. Source: theatlanticwire.com

84-year-old Dorli Rainey was pepper sprayed during a peaceful march in Seattle, Washington. She would have been thrown to the ground and trampled, but luckily a fellow protester and Iraq vet was there to save her. (Joshua Trujillo / Seattlepi.com)

Australian Scott Jones kisses his Canadian girlfriend Alex Thomas after she was knocked to the ground by a police officer’s riot shield in Vancouver, British Columbia. Canadians rioted after the Vancouver Canucks lost the Stanley Cup to the Boston Bruins. (Getty Images / Rich Lam)

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