New Color Management and Printing articles.

 
We are on a roll producing Color Management and Printing articles. Our latest batch covers several important topics, starting from “choosing the right inkjet media” to the new “Color Mode presets on Canon’s PIXMA PRO-1” to “Understanding and Installing ICC Printer Profiles” and even creating your own “custom ICC Printer profiles” with X-Rite’s i1Profiler.

If you want to learn more, make sure you reserve a place in one of our upcoming two-day workshops: “Inkjet Printing: Color Management and Calibration” and the incredibly fun “Creating Custom Photo Books with Adobe Lightroom 4.” Here is a sample book from the workshop.

Visual Serendipity.

 

 
The other Brooklyn. The one you DON’t know.

Canon EOS M Images.

 
UPDATED 0828 Canon EOS M – Part II. Hands-on Review

Yes, the answer is a most emphatic YES to everyone who has asked if I plan to purchase the brand-new Canon Mirrorless system. I just placed my order here. You have until October to change your mind. I seriously doubt I’ll change mine.

So, in a nutshell, we have a tiny camera body with a powerful DIGIC 5 image processor, and a very nice APS-C 18.0 Megapixel CMOS sensor, which is the same sensor size one finds in the wonderful EOS 7D and EOS 60D. The touch screen and UI are virtually identical to the brand new Rebel T4i.  Apparently you can purchase the body only, but I have only seen the kit with the EF-M 22mm ƒ2.0 pancake lens. All the expected features like ISO settings from 100 to 12800, with expansion to ISO 25600, standard  aspect ratios (3:2 plus 4:3, 1:1 and 16:9), and  1080p at 24/25/30 fps and 720p 50/60 fps are there, BUT now we have continuous autofocus.

The hybrid (stills and video) AF system uses “phase-difference AF to achieve approximate focus and drive the lens at high speed, then switches to contrast AF for final focusing.” The movie files are recorded in MPEG-4 format, using AVC.H.264 compression and a variable bit rate. Program as well as and manual shooting modes are supported in movie mode.

And the cherry on top? The EOS M will take EF lenses thanks to the adapter shown below.  Enjoy the view.

click to keep reading

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Great interview with X-Rite Coloratti on Color Management.

 
Last month, I was invited to join the prestigious X-Rite Col­oratti team, which includes the world’s top pro­fes­sional pho­tog­ra­phers. I was interviewed by X-Rite about my work, as well as my thoughts on color management for digital photographers, and specifically for those shooting video. We also chatted a bit about my views on how video has changed the playing field for all professional photographers. Please take a few minutes to listen to this short clip of our conversation.

We recently shot a series of video tutorials, focusing on the importance of color management and monitor calibration for video editing. Here’s the most recent episode.

If anyone is interested, there are a few spaces left at my upcoming workshop: Inkjet Printing: Color Management and Calibration at the International Center of Photography in New York City, Aug 4th, 2012.

Please feel welcome to leave any feedback, questions or comments below.

Visual Serendipity.

 

Getting in touch with your tablet.

 
I have been thinking a lot about tablets and how they are making our lives easier and more productive.  For me, the answer is yes and no.

I recently discovered a newer company that is taking some serious steps forward in changing the way we experience digital media on tablets and similar interfaces.

Senseg, established in 2006, has produced a brand new touch technology, called “E-Sense,” with highly tangible effects that deliver different touch sensations according to the media you are working with.

Think about it; the device itself will have a form of nonverbal communication directly with a user.  It also provides tremendous educational opportunities, especially for the visually impaired. I would love if a digital braille keyboard or an application to read e-books for the blind was developed with this new E-Sense technology.

According to Senseg, each application will be able to react to different user actions:

“Whether it is used to minimize visual focus required for accurate operation, or to enrich a multi-modal experience incorporating graphics, sound and feel. Senseg haptics are often used in combination with graphics or/and sound for a more engaging and complete sensory experience; other times Senseg effects are used by themselves, such as ‘tagging’ the location of hidden objects that can be discovered only by feel, or to reinforce user actions.”

Senseg’s solution is comprised of three main components:

• A Tixel™ technology that activates the touch screen for electrostatic vibration.
• An electronic module that controls a signal for touch intensities, effects and special relationships.
• Software developed by Senseg that manages effects in applications.

Did I mention that the new technology is completely silent, and will be able to scale from any device, from touch pads, smart phones and tablets to the largest touch screens?

When do you think we will “feel” the difference?  Feel free to share your thoughts and opinions below.

Visual Serendipity.

 

Don’t believe the rumors; New York is really safe.

Montreal’s Jazz Fest.

 
Last week I enjoyed four days at the “Festival International de Jazz de Montréal” the world’s largest, according to the Guinness Records. The Festival features 3,000 artists from over 30 countries, and offers more than 650 concerts, including 450 completely free.
I was surrounded by amazing artists, fantastic food and music, and even better friends. These are some of my favorite images.
 

Montreal Jazz Fest 2012 – Images by Eduardo Angel
Click on any photo to see a larger version. Which one is your favorite?